I was the only youngster in the theatre, as expected. The rest was a small crowd of elders. The objective was common — to see vintage Dev Anand in colour.
The movie started with a small epilogue from the evergreen star, about the movie and the restoration process. He recited the famous song: “Main zindagi ka saath nibhata chala gaya..”, and the small crowd completed it, “har fikr ko dhuwe mein udata chala gaya!”.
The digitalised title card of Navketan Films was frozen on the screen, unlike the shivering one from the traditional projector peppered with black vertical lines, denoted the restoration. The background music during the rest of the titles were that of newly added — that was easy to detect.
Anand (Dev Anand) and Meeta (Sadhana) came on screen. For a good five minutes, they emoted with their eyes and gestures -- no words at all. Then, when Meeta was about to leave, Anand requested her to stay, breaking into a song. Mohammad Rafi’s divine voice flowed: “Abhi na jaao chod kar, ke dil abhi bharaa nahin..”. And I sat there, with my eyes moist.
Hum Dono. Wakai rangeen!
The movie started with a small epilogue from the evergreen star, about the movie and the restoration process. He recited the famous song: “Main zindagi ka saath nibhata chala gaya..”, and the small crowd completed it, “har fikr ko dhuwe mein udata chala gaya!”.
The digitalised title card of Navketan Films was frozen on the screen, unlike the shivering one from the traditional projector peppered with black vertical lines, denoted the restoration. The background music during the rest of the titles were that of newly added — that was easy to detect.
Anand (Dev Anand) and Meeta (Sadhana) came on screen. For a good five minutes, they emoted with their eyes and gestures -- no words at all. Then, when Meeta was about to leave, Anand requested her to stay, breaking into a song. Mohammad Rafi’s divine voice flowed: “Abhi na jaao chod kar, ke dil abhi bharaa nahin..”. And I sat there, with my eyes moist.
Hum Dono. Wakai rangeen!
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